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The Night the Whole Building Lost Power and I Did Not Know Whose Door to Knock On

Tâm An mỗi ngày7 min read
A small soup bowl and a pair of chopsticks on a wooden table by a window, soft late-day light, a blurred alley behind

Ten past nine at night. The fan was turning, then slowing, then it stopped. The television cut out in the middle of an ad.

I sat still for a second. I am an electrician, twenty-odd years in the trade, so my first reflex was to stand up and shine my phone light into my own breaker box. The breakers had not tripped. So it was not my flat. It was the whole building.

I am fifty-two, living alone in an old apartment block, ninth floor. My son works abroad and messages me once a week, usually in his morning. All my life I have gone knocking on other people's doors to fix a socket, replace a switch, rejoin a wire. That night was the first time I stood in the corridor with nothing to knock for.

This is not really a story about a blackout. Nor is it telling you to go and befriend the neighbors, or that nights like this are a chance to "open up". I only want to tell that night properly, because it taught me something small I have not yet found a name for.

A night when the whole building went dark

I opened the door to the corridor. So dark that all I could see was the streak of my phone light sliding over the floor tiles, still damp from the mop. The smell of half-cooked rice from somewhere, a faint drain smell at the corner of the stairwell, and a different kind of quiet: no fans, no television, only voices speaking low behind the doors.

A few door gaps leaked the white glow of phones. I knew exactly who was behind those doors. Cô Tám across from me, who sells lottery tickets. The young couple next door, with a toddler. The old man at the end of the corridor, who walks with a stick. I had fixed sockets for all three households. I knew their faces and their names. And still, standing in the dark corridor, I could not take a single step toward any door.

The door opposite opened a crack. Cô Tám leaned out, a flashlight in her hand pointed at the floor.

"Mr. Hải, is that you? Is the whole building out?"

"Yes, I think the main breaker downstairs tripped. The guard is checking."

"Lucky you're on this floor. It went so quiet at my place, I got scared."

"Yes."

That was all. She nodded and shut her door. I stood a while longer, then shut mine.

The easy explanation for that night is that I did not want to bother anyone. Everyone was inside their own homes, settled, and knocking at this hour would be a nuisance. It sounds reasonable, but it stops too soon, because Cô Tám had just spoken to me first, and I had answered curtly, the way I would answer a customer booking a repair. Nobody was bothering anybody.

The deeper part took me a long time to see. All my life I have been used to being the one who is needed. People call me when something is broken. I come, I fix it, I get paid, I go. There is a job and a place to stand. That night nothing was broken for me to fix, and standing at someone else's door without a job in my hands, I did not know who I was supposed to be there. It was not that I did not want to talk. It was that I had no standing in my hands to step into a conversation with.

Seeing this did not make me feel lighter right away. But I stopped thinking I was a dry, cold man. I was only a man who had never practiced knocking on a door empty-handed.

The point where I nearly shut the door and went to bed

I went back to the balcony. Twenty to ten. Below in the yard the lights in the neighboring blocks were still on, and only my building stood black as a box. I brought out the thermos, poured half a cup of tea gone cold, and sat down on the plastic chair.

My first thought: go to bed. Power out, fan off, lie there a while and I would fall asleep anyway. The electrician would come tomorrow, and that would be that.

I stayed where I was, and I do not know why. Perhaps because the flat had been quiet long enough for me to hear myself. From the balcony you can hear a lot: a child giggling in some flat below, someone softly calling "Mom, it's so dark", an old man coughing. The whole building was awake in the dark, and for the first time I heard clearly that it was a place with a great many people in it. I had never known that, because the television and the fan had always drowned it out.

It did not last long. Ten minutes in, I began to feel that out of this whole building, there was no voice that seemed to be calling my name.

Practice · 10 min

Ten minutes in a dark building

  1. 1.Sit wherever you like, but do not walk around the dark house. Use a phone flashlight if you need one, and do not light candles or flames when you are alone
  2. 2.Switch the phone off or turn the screen down, so the light does not pull your eyes
  3. 3.Count three sounds you can hear from outside the window or the corridor: a voice, footsteps, dishes
  4. 4.For each sound, just know that it is there. No need to guess who it is, no need to do anything
  5. 5.When the ten minutes are up, or sooner if it gets heavy, stand and drink a sip of water

The first time I sat there, ten minutes was terribly long. I heard a child laugh and felt a catch in my throat, and I stood up, went inside, and fumbled for the phone for no reason. The next time, I heard all three sounds through. The feeling did not go away, but it had somewhere to stand on the balcony instead of running back inside me.

If ten minutes is too much, cut it to exactly one thing: listen to one sound, only one, until it ends. I often choose the clink of a spoon against a glass in some flat below.

The place this most often goes wrong is turning those ten minutes into a lesson I must draw out. It is tempting because it sounds like a "meaningful" night: the whole building out, me sitting alone, just the stuff of a memorable moment. That is exactly the trap. I sat there and began composing a line to tell my son tomorrow, and right then I had already left the balcony. Instead, let the night be only a night. If anything is worth remembering, it will stay on its own.

I also remember that I listened to Cô Tám without drafting a reply in my head, the way I often do with customers. It was closer to listening to someone without composing a reply than I would have guessed. And the cold tea from the thermos that night is a distant cousin of drinking tea alone, which I read about a few weeks later.

A few days later, and the nights when nothing changes

Half past ten, the lights came back. The whole building let out one small "oh", a different voice from every flat. The fans, the television, the air conditioners switched back on as if nothing had happened.

The next day I went to work, came home, opened my door, and everything was just as before. I did not knock on any door. There was no conversation in the corridor, no handshake. If you are waiting for a warm ending, there is not one.

Only one thing was different, and so small I almost missed it. A few days later, meeting Cô Tám in the elevator, I asked "How are you, Cô?" instead of nodding. She said "Fine, thank heavens," and then the elevator reached her floor and we both got out. That was all. I walked down the corridor and felt it was a little longer than usual, as if there were people on both sides.

If you try sitting a while on a dark night, or listening to one sound, and nothing changes, that is ordinary too. There are two common reasons. The first: the darkness was only the excuse, and the weight sits elsewhere, in something that was there long before that night. Then ten minutes of sitting will not help it, and do not force it to. The second: you are someone who needs quiet, and your silence is missing nothing. Not everyone who lives alone is lacking something, and I would not want this piece to tell you that you are.

There are nights when I still lie alone and feel it heavy, with the lights fully on. Some nights are quiet. I cannot predict which is which. The only difference is that now I know the thing that is heavy sometimes goes by the name having no job to knock for, and knowing it has a name makes it easier to sit beside.

Some night, if your whole block goes dark, try listening to see if it has a lot of sounds.

I suspect it does.

When to seek professional support

This article is a story about one night spent listening to a dark building. It cannot replace treatment, and I am not promising it will ease the feeling of being alone.

But here are a few signs you should bring to a professional, rather than carrying them alone:

  • A feeling of emptiness or having no place to stand lasts for weeks and does not ease from one day to the next
  • You avoid every meeting, even with people you know and find easy
  • Your eating or sleeping is clearly thrown off, for a long stretch, and it affects your work
  • You think about hurting yourself, even if it is just a passing thought

The last point cannot wait. Speak with someone you trust, today. The Emergency Support page explains what holds true in moments like that.

Seeing a professional does not mean you are worse off than anyone else. It is like going to a doctor when a pain keeps going and does not ease: a reasonable thing to do.


This article was created with AI assistance.

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